Archives for posts with tag: lois lawrence

IMG_4901Early on, I learned that painting anything “white” should never mean squeezing out a dollop of paint from a tube of flake white, or titanium white and going to town. Some day I’ll have the courage to challenge that rule in a landscape or figurative painting (I’m sure I could pull it off in an abstract work) but not today. For now it is too much fun creating the illusion of snow using reds, blues, greens and even black. This little 9 x 12 winter scene involved the whole color wheel and was a joy to do. The hardest part was choosing the mixtures that contrasted snow with water.

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Spring is here and with it comes the start of the May to October art show season. Juices are flowing and I’m alternating between land and sea.

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This 16 x 20 Winterscape is on the large side for me. Soon I’ll be working on a series of small pieces for my gallery’s November and December shows.  I worked on this one for about a week and made steady progress but now I think it is time to make a few other paintings while I mull over what is needed to tweak this to completion. The best thing about painting snow is avoiding white It is so much fun to load the image with blues, grays, greens, pinks, umbers and gold and still have the illusion of white snow!

This month I have strayed a bit from my usual small format panels and completed an 18 x 24 landscape which I then highlighted with some careful scribbling in graphite. Normally, I continue my images on the top and sides of my panels and coat the images in resin. This time, my plan is to frame. Because I am concerned that a resin coating might fight the effect of the frame, I am deciding to leave this one au naturale

Next, I went back into small format for a little landscape which I think  prefer to show unframed.  Still I don’t think I can resist a shiny coating on this one.  It will pop.

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For the last three years my work has been exclusively collage. Recently, though, I have focused more closely on my old love of landscape with the result that the collage aspect of those paintings has been limited to foreground grasses which do tend to add an element of depth and perspective by creating for the viewer the illusion that he o she is in close proximity to the image looking far into the distance.

Depending on the nature of the scene, however, and the size of the piece I am finding that adding plants is not a requirement to achieve the desired result. Hence my last three small works (the largest is 6″ x 6″)

While I have no intention of abandoning my work in collage, I did enjoy allowing the paintings to stand on their own.

Back at the turn of this new century, I made a big series of large works on canvas that incorporated metal washers. For me, they have passed the test of time so I decided to miniaturize the concept and incorporate my current resin-coated works on wood panel – some with pressed plants and – gasp – some without.

I’ll be showing these this season in a number of venues including the Artist’s Cooperative Gallery of Westerly, the Memorial Day weekend VIRTU Art Festival in Westerly, the Providence Artisan’s Market at Lippett Park, and later in the season at the Wickford Art Festival, the Warren Art Festival, the Strawberry Festival in Newport and more. I also have month-long exhibits scheduled at the Green Marble Coffee Shop in Mystic in June and at the Yellow House Coffee Shop in Stonington in July. Hoping to see lots of old friends.IMG_2264IMG_2270IMG_2278

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I just finished a small custom piece that included a “palm tree” made from simple ferns and sensitive ferns so took the opportunity to take inventory. Fresh out of Mexican Feathergrass but off to Florida in a few weeks where I will hunt and gather them. For ferns I may have to resort to an off-season visit to my favorite nursery. I see Japanese painted ferns in my future.

Meanwhile I received a shiny new photography tent which makes it possible for me to end my long battle with glare when photographing my resin peices. Hopefully this means I’ll be putting more of them into my Etsy shop.

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The holiday art and craft show season is upon us and I am getting ready for four of them. On December 7 and 8 I’ll be at Briggs Nursery in North Attleboro Massachusetts. If you haven’t been to this fabulous venue you should make a day of it. It’s that good!

After that, on Sunday, December 14, I’ll be at the indoor Providence Flea whose founders have just been recognized among he best entrepeneurs of the year!
Meanwhile, I’m working on pieces for two season-long shows in Rhode Island. One is at Chapel View, Rhode Islands’s newest high-end gallery. The Chapel View complex is adjacent to Garden City in Cranston.
The second, Peckham’s Greenhouse Local Handmade Holiday Show, begins November 18 and runs through Christmas at Peckhams’s Greenhouse in Little Cranston, Rhode Island. features the work of some 20 Rhode Island and New England artists and artisans.

Once the season is over, I’ll be free turn my attention to new work for May. Meanwhile, hope to keep in touch through this blog and through my Etsy shop. Happy Holidays everyone!!

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This 12″ x 6″ resin-coated piece features several plants I’ve used before and one I haven’t — bald cedar. The long cedar leaf spans all three of the rectangles in the painting and ties the whole thing together, I think. Compositionally, it serves almost the same purpose as the garden asparagus I’ve used in some of my works on paper, but is sturdier and easier to deal with at the stage of adhering the plant to the support. Once the resin is poured, any leaf or part of a leaf that is not firmly attached to the wood panel tends to float to and through the surface–a problem that no amount of poking with a toothpick is likely to fix — so proper attachment is critically important.

When using white backgrounds, I don’t always leave the cradle sides white as well, but it works well in this case.

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This week I’m feeling confident in my resining techniques and comfortable with my full-sized propane torch, so I’m trying my hand at some larger pieces. This one measures 6″ x 12″. If that doesn’t sound large, try a few steps of the resin dance yourself and you’ll see it my way. The working window is only about 20 minutes from the first pour to removal of the last bubble and I work with up to six pieces at a time. Still, I’m on the march and have larger panels waiting in the wings.

For the real plants in the foreground, I chose a mix of weeds and garden plants — wild grass seed heads, a piece of Japanese maple, and a little leaf of curly coleus.