Archives for category: Uncategorized

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I am keenly aware of the change of seasons as they impact my garden. Lately I have been keeping an eagle eye out for changes in my plants. Some mean that I must harvest or lose. Others mean that if I stay vigilant, I’ll have the opportunity to harvest fresh leaves in a color they only display for a few weeks each year. Nasturtiums come quickly to mind — especially since I love to use them as suns and moons and many of them turn brilliantly yellow before they begin to wilt from the cold.

I made these two small pieces to celebrate autumn. The quote by Camus is one I love not only because of what it says about fall, but also because it expresses my belief about the sometimes forgotten parts of flowering plants. Although I do occasionally use flowers in my work, my primary medium is foliage.

The second piece rounds out the series of landscapes I have built over the last few months. This one is meant to represent daybreak. the moon is still visible but the sun is about to burst about the horizon. The ‘tree’ in the foreground — in reality, a scented geranium leaf — is bare of leaves, yet the grass is still green and the hills in the background, spotted by evergreens, have not yet turned from blue to wintry gray.

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I don’t always start out with a theme in mind for my botanical collages. Just as often, I am simply experimenting with arranging elements and colors for my graphics and plants with which to build a pleasing collage. In this case, however, the composition immediately skipped my thoughts past this infant autumn and brought me to winter. When I thought the piece was finished, I sensed something missing. Finally, I decided it needed an overlay of pennisetum grass. Voila! It felt — to me at least — like snow.

Other plants in the composition include coleus, ferns, scented geranium and andromeda.

I love eavesdropping on the conversations browsers have with one another when I show my art. So often they find my pieces evocative of feelings worlds away from mine. That’s perfectly fine with me. If we all made the same associations we would all dream the same dreams. How boring!

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This is my version of an arrangement of bud vases. Even this late in the season I have a nice supply of new growth, and therefore tiny leaves in my garden.

The race is on to harvest enough before the first frost.

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A friend of mine pinned a photo of a fabulous and unusual quilt which reminded me of a Gustav Klimt painting and inspired me to work on a graphic that suggests fire in the night. The ornamental grass Pennisetum Frosted Explosion seemed like a natural for the foreground. Graphics rule here but I added a bit of bright green paint to the grass to increase the contrast just a bit.

I’ll be showing at the Providence Water Fire in three weeks. If this piece has sold before that I’ll work on a variation for Water Fire because it’s perfect for the occasion. Meanwhile I’ve tucked it into my Etsy shop where I’ve now added some giclee prints of smaller pieces after getting a lot of requests.

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This year my husband’s asparagus crop was — er–modest. By that I mean we got about one stalk a week for about six weeks and goodbye. Now though, we have a virtual three-foot-wide asparagus-top jungle that is too pretty to ignore. The clippings I harvested only took about a week to process with a pressing between sheets of lightly weighted newsprint. For bold highlights in this composition I used a snippet of sensitive fern and the tip of a whole frond at the center. Nasturtiums make the best moons so why look for anything else?

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This is the first of a series of small works that will highlight tiny foliage. I started with miniature ivy but plan to move on to raspberry, scented geranium shoots and other shapely miniatures. This will be a month-long project since most of these have yet to be harvested. I look forward to see them hung in a tight grouping of nine.

Meanwhile I’ll work on some graphics to highlight some large, dramatic and graceful sensitive ferns I have waiting in the hopper.

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The dozens of new friends who meet with me and buy my botanical art for their homes and workplaces and for their friends share with me a love of nature and the fun that we can have contemplating the outdoors one leaf at a time. I’m surprised by the number of people who share that they regularly collect and press plants just for the joy of it. I hope I inspire them to take it a step further.

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The birth of a new grandchild this week has put me in the mood to make a bit of children’s art. For this whimsical piece I chose plants that could have been the product of a child’s imagination – foam flower leaves and a crazy coleus on the bottom and fig leaves at the base of the two hills. The composition is rounded out with dainty little andromeda leaves.

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I love what these undulating lines do to the look of the foliage I use. In previous versions of this basic design I’ve used feathery ferns and, in one case nothing but very tiny individual fronds. While this piece uses some ordinary ferns to balance the composition, the real stars of the show are the bold Sensitive Fern at the bottom center and individual leaf clusters from my Fringed Bleeding Heart.

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This simple composition consists of three leaves — scented geranium, ivy, and sweet potato vine — surrounded by a faux double mat. Sometimes simple is best.