Archives for posts with tag: etsy

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This little interpretation of a Florida salt marsh is 4th in line for its first coat of shiny resin. Temperatures in New England have been at record lows so I’m holding back on the finishing steps of my collage series until Mother Nature gets with the program. Resin likes a nice warm room in which to cure. Meanwhile I just got my first aookication for a spring show out in the mail so will keep plenty of work in the pipeline.

This piece measures just 4″ x 6″ Making small pieces is one way of keeping my work affordable but I’m always open to making a bigger version of any miniature.

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While I plan to continue designing lots of fun graphic images for my pressed botanicals in 2014, I am also enjoying working with watercolors. This simple background of water drops on a pink and coral wash provides the support for one of my favorite plants for pressing – Mexican feathergrass. I have a second one in the wings and some thoughts of painting insects to hover above the a feathergrass meadow. Stay tuned. Meanwhile, I popped this one into my Etsy shop this morning. Happy New Year to all my friends and followers.

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I love what these undulating lines do to the look of the foliage I use. In previous versions of this basic design I’ve used feathery ferns and, in one case nothing but very tiny individual fronds. While this piece uses some ordinary ferns to balance the composition, the real stars of the show are the bold Sensitive Fern at the bottom center and individual leaf clusters from my Fringed Bleeding Heart.

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For this series of three small pieces, I reversed and alternated pairs of undulating colors to provide interest and contrast for some lovely ferns and well-shaped small leaves. I keep searching for new ways to use color as well as color shading and juxtaposition to enhance my plants. Some experiments work and some don’t. These three survived the cut and landed in my Etsy shop. Weather permitting they’ll be with me in Providence on Saturday.

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Even though I created it, this hill of little ferns and strange trees makes me want to see what’s on the other side. I’m busy replenishing my Etsy inventory after last Saturday’s trip to the Artisan’s Market at Lippett Park in Providence. Will miss next week’s market and return on June 29th.

My stock of interesting pressed foliage is growing so fast it’s hard to know what to play with next.

I had, and still have a small cache of ready graphics just waiting to be paired with small pressed botanicals. Today, I sorted much of it out. I left the tiny ivy in its natural state and added some color to my azalia in order to compliment the backgrounds. Everything in the garden is starting to come to life so I guess I’m feeling pressure to finish the business of the last growing season.

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Sadly, our URI horticultural expert was overly optimistic in thinking our Andromeda might spring back upright after it was bent over by a blizzard so we’ve moved on to plan B which was a drastic pruning designed to lighten the plant by a ton or so. I have so many healthy branches I’m hoping neighbors will take cuttings to root or just to display. That will leave plenty for me to press.

I put my botanicals into three general categories — abstract, representational, and traditional. I’ve spent a lot of time on the first two lately. Time to move on to some more traditional pieces — with a twist I hope.

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Just when I thought my supply of pressed ferns from last year’s garden was finally depleted, I was walking the perimeter of my little property and found these brave winter survivors hiding under a hydragea. They were thriving there and none the worse for wear despite all the snow that fell in Stonington this winter. I could hardly wait the two weeks it took to get them prepared for a botanical collage. I have more waiting in the wings so watch for more in the coming days. In order to enhance their visibility against the ‘night’ sky, I mounted three of them with the lighter back of the frond showing. To see more of this growing body of pressed botanical work, click here.

I get most of my ideas for graphics in the morning. After finishing this piece it occurred to me it has a bit of an argyle feel. According to Wiki, The argyle pattern is derived from the tartan of Clan Campbell, of Argyll in western Scotland but there is a County Argyle in Ireland so I guess my subconscious is telling me to get ready for the wearing of the green.

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A pair of pastel-dappled azalea leaves bring this message home.