Last season, my botanical art was strictly about pressed foliage. Going forward, I plan to continue to exand my exploration of the design possibilities my shade garden plants present. Lately, though, I succumbed to the temptation to begin incorporating some flowers as well. I think it all started when I became impassioned about saving my blizzard-damaged Andromeda. Following the advice of a master gardener, we waited until Spring to see if our listing tree would upright itself naturally. That didn’t happen, so we’ve moved to plan B — removing about 1/3 of the plant to lighten the load and make it possible for us to force the tree into an upright position. In the midst of all of this our Andromeda went on as if nothing had happened. By the time we pruned, we were removing brances laden with snowy clusters in full bloom as well as some still in bud stages. I chose a sampling to process in order to make my latest pressed botanical.
I had, and still have a small cache of ready graphics just waiting to be paired with small pressed botanicals. Today, I sorted much of it out. I left the tiny ivy in its natural state and added some color to my azalia in order to compliment the backgrounds. Everything in the garden is starting to come to life so I guess I’m feeling pressure to finish the business of the last growing season.
Sadly, our URI horticultural expert was overly optimistic in thinking our Andromeda might spring back upright after it was bent over by a blizzard so we’ve moved on to plan B which was a drastic pruning designed to lighten the plant by a ton or so. I have so many healthy branches I’m hoping neighbors will take cuttings to root or just to display. That will leave plenty for me to press.
As I said in my last post, I’m thinking of incorporating flowers into my botanical art for the first time. There’s so much beauty in foliage that I never saw the need, but I couldn’t resist using these roses this week.
So yesterday I went in one direction and today in another with a different look but an equally nostalgic result. Next we’ll go to a black background and see what feels different. Manwhile, my fallen but not uprooted Andromeda is in full bloom so I have some drupes of flowers in process. They should be ready soon.
I always use my own plants to make my botanical art — well, almost always. I received these lovely little roses as a hostess gift a few weeks ago. Rather than waiting for them to fade, I dried some in silica gel and arranged them in a lovely little vase. I disassembled the rest and pressed them. When the time came to design a background for the first of them, I couldn’t resist my natural sentimentality. It is spring. These are roses. Love is in the air. Why not? Since I tend to go back and forth between my traditional and modern compositions the next rose collage you see may not be as sweet but it will still be as rosy. Did I really write that?
Anyway, you can find this and dozens more in my Etsy shop.
I put my botanicals into three general categories — abstract, representational, and traditional. I’ve spent a lot of time on the first two lately. Time to move on to some more traditional pieces — with a twist I hope.
Just when I thought my supply of pressed ferns from last year’s garden was finally depleted, I was walking the perimeter of my little property and found these brave winter survivors hiding under a hydragea. They were thriving there and none the worse for wear despite all the snow that fell in Stonington this winter. I could hardly wait the two weeks it took to get them prepared for a botanical collage. I have more waiting in the wings so watch for more in the coming days. In order to enhance their visibility against the ‘night’ sky, I mounted three of them with the lighter back of the frond showing. To see more of this growing body of pressed botanical work, click here.
Just when I thought the supply of pressed ferns from last year’s garden had been depleted, I was walking the perimiter of my (1/4 acre) property and found these great green ferns which had actually thrived all winter, snow and all. They were growing under my hydrangea where I never remember seeing ferns in the past. I could hardly wait to process them and get to work. Here is the first result. I have one double-headed one that will eventually make it into a larger composition. You can see I used the lighter back side of three of the fronds better to show up against the night sky. I’ve already completed the graphic for a companion piece that will have a wintery aspect. Maybe tomorrow. See the rest of this growing collection here.
Well, OK, that’s not exactly how the riddle goes. Anyway, here is a blue companion to my earlier black grid with tinted Azalea. A red one is in the works. They’ll look great hung side-by-side. When I have all three ready, I’ll group them as a set in my Etsy shop.
Let’s face it, most gardening is a war against chaos. Maybe that’s why I sometimes have fun creating virtual files as the support for my botanical art. For this one I created colorful compartments for Azaleas (on the left) which I enhanced with a touch of turquoise, ferns at the bottom with a ‘button’ of variegated Euonymus, Parlor Palm as the centerpiece and some inner leaves of Euonymus at the top. If only it would all line up so obediently in my garden.
Like most of what I post here, it will pop up matted and framed in my Etsy shop soon.
I get most of my ideas for graphics in the morning. After finishing this piece it occurred to me it has a bit of an argyle feel. According to Wiki, The argyle pattern is derived from the tartan of Clan Campbell, of Argyll in western Scotland but there is a County Argyle in Ireland so I guess my subconscious is telling me to get ready for the wearing of the green.
My Stonington Garden 
