Archives for posts with tag: framed

IMG_0396_cropIMG_0398_cropSomethimes you feel like pastel; sometimes you don’t. This sample of Mexican Feather Grass is a bit fuller than most of my specimens so I decided it could hold up to some bolder colors. See a similar pair with more subtle colors in my Etsy shop.


IMG_0319_cropIMG_0315_cropI enjoyed the process of designing yesterday’s Mexican Feather Grass collage so much that I thought it was worthy of a series. Two down and probably two more to go. A grouping of four would be nice. The possible color combinations are endless. Unfortunately, the supply of pressed grass — at least for the moment — is not.


While this beautiful grass with its ethereal feel lends itself to simple presentations, mounting it can be tricky. For most botanicals, I use an acid free, diluted white glue which I apply with a brush. Not possible with Mexican feather grass — Nassella tenuissima. The threadlike strands that hold the slightly heavier seed pods easily become tangled and bunched-up if disturbed. As a result, I must use a spray adhesive while holding the stem aloft and then mount it in one try. Careful work with tweezers allows for minor adjustments, then — voila — success or back to the drawing board with fresh graphics and fresh grass. This one cooperated sweetly.
If you’d like to see more, I have a different series of these listed at my Etsy shop at


After playing with wave and color effects, I was reminded of the sea so I checked my inventory of dried plants and selected dill as the main plant. To this I added a few curving fern leaflets and a ‘school’ of azalea leaves. My husband was reminded of winter instead because he thought the ‘bubbles’ looked like snow. That’s the beauty of fantasy. Everyone creates his or her own.

Meanwhile, I think I’ll pay more attention to my husband’s herb garden next season.

LoisLawrence(MyStoningtonGarden)#2ARTsansGlgPinkCaladiumOne truth about the creative process is that as new ideas evolve old ones — even the best old ones — can fall into the shadows. Mindful of this, I have tried to keep all of the threads of this work growing even as new ones develop. I think of my pieces as either ‘straight botanicals’– meaning that, aside from providing the right background to compliment the plant, I keep myself out of the equation — or as botanical compositions.

Within the second category are a lot of sub-categories. For instance, some of my more contemporary graphics– especially those I use to support light grasses — are meant as the focal point of the composition with the grasses serving as enhancement only.

When I incorporate poetry or other text, on the other hand, I present it in a way that allows it to disappear into the background on first inspection. Check out some examples at my etsy shop by the same name as my blog.