With nearly 30 original pieces now on display at the Yellow House in Stonington Borough, the pressure is on to make some work for my next commitment in Providence on November 17. The first ginko of the year is ready to go with lots more in the wings so I worked on this combination in muted tones and added just a bit of pastel to highlight the lovely natural ribbing in the ginko leaf.
While I’m in the mood to organize I’ve lined up some of my winter azalea leaves. I love their little apostrophe shapes. For a little extra interest I’ve added just a touch of pastel color at the stem end of each leaf. While I’m busy de-constructing my plants, buds are forming and my azalea will be in full vibrant bloom in just a couple of months. I’m already working on a companion piece for this one which I’ll put in my shop as soon as it’s ready.
I enjoyed the process of designing yesterday’s Mexican Feather Grass collage so much that I thought it was worthy of a series. Two down and probably two more to go. A grouping of four would be nice. The possible color combinations are endless. Unfortunately, the supply of pressed grass — at least for the moment — is not.
While this beautiful grass with its ethereal feel lends itself to simple presentations, mounting it can be tricky. For most botanicals, I use an acid free, diluted white glue which I apply with a brush. Not possible with Mexican feather grass — Nassella tenuissima. The threadlike strands that hold the slightly heavier seed pods easily become tangled and bunched-up if disturbed. As a result, I must use a spray adhesive while holding the stem aloft and then mount it in one try. Careful work with tweezers allows for minor adjustments, then — voila — success or back to the drawing board with fresh graphics and fresh grass. This one cooperated sweetly.
If you’d like to see more, I have a different series of these listed at my Etsy shop at http://alturl.com/mk23o