Archives for posts with tag: mixed-media

I create all of my graphic backgrounds with Microsoft Word. For me, at least, this is never as easy as I expect. It’s taken me a long time to master the intricacies of adding shapes, erasing lines, modifying color, superimposing images, embedding text, and — today’s lesson — modulating color. For this swirl of Azalea leaves, I wanted a background that started light and deepened as it descended the page. I started by trying to wing it.Highlight a few lines, Click on “format” click on “shading” select a color for a stripe. Click on the same color, then click on more colors, then click on “custom”, then move the arrow…and so on. It didn’t go smoothly. Then it occurred to me to look at the luminosity numbers next to the color scale gauge. Eureka. Check out my other backgrounds in my Etsy shop.

I have other ideas that seem like they will be easy to execute, like creating a color block “vase” with nothing but lines and shapes. We’ll see. It never turns out to be as easy as I expect when I envision it at 5:OO AM.

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Last season, my botanical art was strictly about pressed foliage. Going forward, I plan to continue to exand my exploration of the design possibilities my shade garden plants present. Lately, though, I succumbed to the temptation to begin incorporating some flowers as well. I think it all started when I became impassioned about saving my blizzard-damaged Andromeda. Following the advice of a master gardener, we waited until Spring to see if our listing tree would upright itself naturally. That didn’t happen, so we’ve moved to plan B — removing about 1/3 of the plant to lighten the load and make it possible for us to force the tree into an upright position. In the midst of all of this our Andromeda went on as if nothing had happened. By the time we pruned, we were removing brances laden with snowy clusters in full bloom as well as some still in bud stages. I chose a sampling to process in order to make my latest pressed botanical.

I had, and still have a small cache of ready graphics just waiting to be paired with small pressed botanicals. Today, I sorted much of it out. I left the tiny ivy in its natural state and added some color to my azalia in order to compliment the backgrounds. Everything in the garden is starting to come to life so I guess I’m feeling pressure to finish the business of the last growing season.

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Sadly, our URI horticultural expert was overly optimistic in thinking our Andromeda might spring back upright after it was bent over by a blizzard so we’ve moved on to plan B which was a drastic pruning designed to lighten the plant by a ton or so. I have so many healthy branches I’m hoping neighbors will take cuttings to root or just to display. That will leave plenty for me to press.

I put my botanicals into three general categories — abstract, representational, and traditional. I’ve spent a lot of time on the first two lately. Time to move on to some more traditional pieces — with a twist I hope.

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Just when I thought my supply of pressed ferns from last year’s garden was finally depleted, I was walking the perimeter of my little property and found these brave winter survivors hiding under a hydragea. They were thriving there and none the worse for wear despite all the snow that fell in Stonington this winter. I could hardly wait the two weeks it took to get them prepared for a botanical collage. I have more waiting in the wings so watch for more in the coming days. In order to enhance their visibility against the ‘night’ sky, I mounted three of them with the lighter back of the frond showing. To see more of this growing body of pressed botanical work, click here.

Just when I thought the supply of pressed ferns from last year’s garden had been depleted, I was walking the perimiter of my (1/4 acre) property and found these great green ferns which had actually thrived all winter, snow and all. They were growing under my hydrangea where I never remember seeing ferns in the past. I could hardly wait to process them and get to work. Here is the first result. I have one double-headed one that will eventually make it into a larger composition. You can see I used the lighter back side of three of the fronds better to show up against the night sky. I’ve already completed the graphic for a companion piece that will have a wintery aspect. Maybe tomorrow. See the rest of this growing collection here.

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While I’m in the mood to organize I’ve lined up some of my winter azalea leaves. I love their little apostrophe shapes. For a little extra interest I’ve added just a touch of pastel color at the stem end of each leaf. While I’m busy de-constructing my plants, buds are forming and my azalea will be in full vibrant bloom in just a couple of months. I’m already working on a companion piece for this one which I’ll put in my shop as soon as it’s ready.

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In late fall and winter, the bright yellow edges of Euonymus deepen to gold with a touch of rose. still, the inner leaves which tend to be larger, remain green.

For this simple triptych, I organized some leaves from a single plant against colors which reflect those it shows in winter — yes it stays green and gold all through the winter, blizzards and all!

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For each panel, I shuffled the three colors. See close-ups of this one and some other three-panel botanicals at my Etsy shop.

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With a fresh batch of dill ready it seemed like a good time to re-visit the world beneath the sea. Who are we to say we’ve seen it all? My fish are, once again azalea and euonymus — both so easy to work with. I wish I could say the same for the dill although I’m becoming an expert with tweezers and I find the non-business end of a paintbrush works as a great tamper without getting in trouble with the adhesive. This one will join two others in my shop. See them framed there. Actually, until the frame goes on you never know — something new could pop up.

IMG_0319_cropIMG_0315_cropI enjoyed the process of designing yesterday’s Mexican Feather Grass collage so much that I thought it was worthy of a series. Two down and probably two more to go. A grouping of four would be nice. The possible color combinations are endless. Unfortunately, the supply of pressed grass — at least for the moment — is not.